[PDF.74rb] Corot in Italy: Open-Air Painting and the Classical-Landscape Tradition

Corot in Italy: Open-Air Painting and the Classical-Landscape Tradition

[PDF.st08] Corot in Italy: Open-Air Painting and the Classical-Landscape Tradition

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 | #1837285 in Books |  1991-04-24 | Original language:English | PDF # 1 |  11.75 x10.00 x1.50l, | File type: PDF | 268 pages

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||0 of 2 people found the following review helpful.| Prompt service|By Ben Martinez|As promised, when promised.|1 of 4 people found the following review helpful.| Corot in Italy|By terrance henningsen|Excellent book for anyone interested in the history and art of landscape painting. Lots of colour, as well as black and white reference plates. The book arrived in good condition.||From Publishers Weekly|Extensively illustrated, this critical study by MoMA curator Galassi argues for a reevaluation of both Corot's work and the place of outdoor painting in 19th-century art. |Copyright 1996 Reed Business Information, Inc.

Arriving in Rome in 1825, Corot spent three years painting and drawing the landscape nearby. In their freshness and candour, his open-air studies seem to point forward, toward Impressionism. Galassi shows that they also point to the past. Half a century before Corot visited Italy, the community of foreign artists at Rome had spawned a school of outdoor painting. Under the banner of Neoclassicism, an international roster of artists - British, French, German, Scandinavian ...

You can specify the type of files you want, for your device.Corot in Italy: Open-Air Painting and the Classical-Landscape Tradition   |  Peter Galassi. A good, fresh read, highly recommended.

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